Pick a pace.

Most of an agency or production budget pays for time, not craft: crews, render farms, a chain of vendors and weeks of back-and-forth between them. We compress that whole middle and keep the job under one roof, so you are paying for the work itself, not the overhead around it. Same bar, a fraction of the cost, in a fraction of the time.

That is the whole point. Fifteen years of art direction sit in front of every frame, and AI is a tool inside that craft, not a replacement for it. The work is built to hold up next to anything a traditional studio delivers, often it looks better, because we can iterate far more.

Honestly, no, and not for the reason people expect. The idea that AI is easy to spot is already out of date; the tools have come a very long way. More to the point, we do not lean on AI alone. We fold it into a real craft pipeline, with our own lighting, texturing, direction and finishing on top, so the result reads as polished and real as anything made the traditional way. People see the work, not the method.

Yes, and often better. We work from your brand, your guidelines and photos of your real product, feed all of it in as reference, then fuse it with our own lighting, texturing and direction. Because we are not boxed in by what a single 3D package can do, and because we can iterate unbelievably fast, we keep refining until it looks exactly the way you want, frequently sharper than the traditional route would get you.

A request is one deliverable or a tight set of them, a hero film, a product render set, a social pack, a logo animation. You queue up as many as you like; we work them in the order you prioritize, with one to five active at a time depending on your plan.

It depends on the brief, and we count from the moment a project kicks off, not the day you reach out (if our queue is full, we will tell you when we can start). Once we are rolling, the thinking comes fast. For a cinematic, live-action-style piece, you can see mood boards and a spread of looks, settings and how your product sits in the scene within a day or two. For something like a one-minute 3D product reveal, we can put a full visual language in front of you, far more directions and iterations than the traditional route, and better, usually within a day or two. With the look locked, the finished piece typically follows within a few days.

Yes, completely. On delivery, full ownership and usage of the finished work is yours, cleared for the channels we scope together. You also get the working files your team actually wants: the edit project in After Effects, Premiere or Resolve, the motion graphics and the audio, so you can swap a track, adjust text or recut anytime, plus the source imagery and clips so future changes, a new product or a new variant, stay easy. What stays with us is our process, the exact blend of tools and craft behind the result. That part is ours.

No problem. Even a single piece, a film, a product set, a launch campaign, runs as one month on a plan. Most brands stay because the second month is where it compounds, but you can do a single month and pause anytime.

We bill in whole months, never hourly and never fractions. A build that needs about six weeks is a two-month engagement, and the extra capacity fills with the cutdowns, stills and social around your hero. If you would rather keep it to one month, we run two tracks in parallel on Studio so it moves twice as fast. You always know which before we start, no surprise second invoice.

No. A month is never half-used. Whatever capacity is left after the hero becomes the content engine around it: more cuts, more stills, social posts, an app loop. You get a full month of value every month.

You can pause anytime and pick back up later, keeping your setup and your place. We do not bank cash credits, because that quietly muddies the cadence that makes this work. Annual clients also get a one-month goodwill rollover of an unused hero.

Spinning a brand up is real one-time work: intake, learning your voice, building your workspace. Month to month carries a one-time $2,000 onboarding for that. Commit to three months and we waive it. Commit to a year and you get two months free on top.

Yes, as a clear add-on, and only when you are actually compressing a deadline. Normal turnaround is already days. If you need something pulled in faster than the queue allows, we price the rush up front, scaled to how much we are compressing. It is never buried and never a surprise.

Feedback is free and expected, we would rather get it right than get it fast. Rounds of notes never cost extra. What moves is the timeline: the deadline floats out to fit the changes. The only paid acceleration is a rush, which we agree on with you up front.

That is normal, every project is different. Use the guide above to get close, then just tell us what you have in mind and we will tell you exactly where you land, in writing, before you pay a cent. Nothing about the scope or the price is a mystery.